The works of the Belle-Isle period (1947-1958) mark the beginning of a true abstract approach for Vasarely. A key idea appears: that which allows the transformation of a natural raw material into an abstract material. It also marks a return to nature through the use of geometric forms, in particular the ovoid form which signifies “the oceanic feeling”.
BANGOR II
KERYADO
INGUINEL
ETUDE I/42 (STUDY I/42)
ETUDE I/26 (STUDY I/26)
Belle Isle period
1951/1952, 60 x 43,6 cm
1952, 64 x 49 cm
1947-55, 31,9 x 41,7 cm
1969, 81.7 X 75.8 CM
1952, 81.7 X 75.8 cm